Stefan Maier’s 2018 dossier on machine listening for Technosphere puts the work of artists like George Lewis, Jennifer Walshe, Florian Hecker, and Maryanne Amacher into conversation with Google’s wavenet. Artist Sean Dockray, legal scholar James Parker, and curator Joel Stern talk to Stefan about these and other works along with Stefan’s own compositions which treat machine listening as a prepared instrument, ready to be detourned.
Our devices are listening to us. Previous generations of audio-technology transmitted, recorded or manipulated sound. Today our digital voice assistants, smart speakers and a growing range of related technologies are increasingly able to analyse and respond to it as well. Scientists and engineers increasingly refer to this as “machine listening”, though the first widespread use of the term was in computer music. Machine listening is much more than just a new scientific discipline or vein of technical innovation however. It is also an emergent field of knowledge-power, of data extraction and colonialism, of capital accumulation, automation and control. It demands critical and artistic attention.
https://machinelistening.exposed/curriculum/
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For the past 20 years, Liquid Architecture has been Australia’s leading organisation for artists working with sound and listening. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
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