We're brat(s). And, as we do every December, the most brat thing we can do is to step out of the O3L era and count down our favorite albums of the year. 2024 has provided a treasure trove of pop culture highlights - it was a big pop girl year with a new crop of superstars. There were massive albums (in terms of sales, impact, and length) like The Tortured Poets Department, COWBOY CARTER, and Cindy Lee's Diamond Jubilee, but also records that were "short n' sweet" (literally and figuratively). There was the Kendrick v. Drake beef. Everyone had a Brat summer (well, almost everyone). And did we mention Shaboozey?!? Oh, actually, we didn't mention Shaboozey, but we wish we had...because it is kinda fun to say.
It's also become O3L tradition to have someone who actually created one of the year's best albums join us for this episode, and this year is certainly no exception. This year, we welcome prolific singer/songwriter/producer Tamar Berk to join us for this discussion. Tamar has played in numerous bands in the Chicago, Portland, and San Diego scenes since the mid-90s, and in September she released her fourth solo album, Good Times for a Change. The new album is another brilliant mix of power pop hooks, '90s-leaning indie rock, and introspective songwriting. Every one of the Tamar's records has made Brett's year end Top 100 Albums list for their respective years...if that ain't a feather in your artistic cap, we don't know what is. But she's also received a rave review in Creem magazine and has made a whole lot of other year end best of lists. We guess that's cool too.
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