In this episode, Dave and Andrew go deep into the tangled history surrounding the first jazz piece to ever win the Pulitzer Prize in Music, Wynton Marsalis's Blood on the Fields. But what will they think of the changes to the Pulitzer that allowed a largely-improvised piece to win an award previously reserved for notated music?
If you'd like more information about Wynton Marsalis, we recommend:
Wynton Marsalis's official websiteMoving to Higher Ground: How Jazz Can Change Your Life by Wynton Marsalis and Geoffrey Ward
David Stowe's article "The Diasporic Imagination of Wynton Marsalis," in The Black Urban Community, edited by Gayle T. Tate and Lewis A. Randolph (Palgrave, 2006)
Matthew Alan Thomas's dissertation "Dynamic canons: How the Pulitzer Prize, documentary film, and the U.S. Department of State are changing the way we think about jazz," University of Southern California, 2011
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