Award-winning engineer Dani Bennett Spragg has achieved a huge amount in what seems like a short amount of time, working with Noel Gallagher, The Amazons, Jarvis Cocker, Baxter Drury and even The Rolling Stones. And she's worked alongside production heavyweights Alan Mulder, Flood and Catherine J Marks. But how will she be able to reconcile her British-American heritage when asked to pick a location for her studio? Which mics will make it into her very limited mic locker? And why are a modded set of dual-concentric speakers the best she's ever heard?
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