This stylish Christian horror film, possibly inspired by the SILENT HILL franchise, is based on a novel co-authored by the two titans of Christian supernatural fiction: Frank Peretti and Ted Dekker. These writers each sold millions of copies of their respective books throughout the 2000s, identifying and filling a niche for Christian supernatural thriller literature with exciting stories that still promoted a wholesome message. HOUSE is a collaboration between Peretti and Dekker, adapted into a feature film by director Robby Henson (THR3E) in a very lurid, saturated way that nowadays feels dated to the late 2000s, and could have been influenced by the burgeoning video game adaptation genre of cinema at the time. HOUSE as a film has interesting ideas but is barely held together with no narrative follow through. A couple experiencing domestic issues gets into literally three or four car crashes within the first ten minutes of the film, then stumble upon a remote cabin hotel with eccentric hosts who try to kill the couple before telling them the legend of the Tin Man, a psycho wearing a wooden mask who claims to have killed God. Weird southern gothic set dressing and video game-style quests hurtle the plot toward a disappointing climax where (spoiler alert) the Tin Man is defeated by light. It’s barely coherent and barely Christian, and doesn’t compare to other Peretti film adaptations we enjoyed such as HANGMAN’S CURSE (2003), but at least it’s weird and funny with bold, bright colors that remind us how Christian cinema tried to merge with the secular in the chaotic and very silly decade of the 2000s.
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