Welcome to one of five special episodes recorded live at Peckham 24. In this episode, I speak to Eleonora Agostini about her series, A Study On Waitressing, in which she assembles and re-presents photographs, archival imagery and footage, collage and text as a research method to analyse the theatricality of the everyday and the function of the body as a conduit between observer and observed.
Peckham 24 exists to support the photographic community by providing artists with opportunities to exhibit, share and discuss new work - shining a spotlight on cutting-edge contemporary photography.
The theme for the 8th edition of the festival was Back to the future, bringing together artists who take moments from the past as inspiration to re-stage, re-imagine or re-think existing narratives.
Eleonora is an Italian artist based in London. Her practice shifts between photography, moving image, performance and sculpture, exploring and analysing the difficulties of how human experience is constructed.Her research is strongly connected with the experience of our surroundings and she is interested in finding a possible fracture within our socially constructed rules and the spaces we inhabit. Eleonora refers to the every-day as a space full of potential and possibilities for quests, incorporating ordinary objects and activities within her images to express and navigate its different layers and meanings.
Follow Eleonora @eleonoraagostini and Peckham 24 @peckham24photo and Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com
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