In 1992, Aileen Carol Wuornos, an itinerant sex worker, was arrested for the murders of seven men in or near Volusia County, Florida in 1989 and 1990: all of them shot while Wuornos was on the job, all of them shot at point-blank range. She became, in the view of the public, according to the filmmaker Nick Broomfield, who made two documentaries about her and about the media storm that surrounded her, a "man-hating lesbian prostitute who tarnished the reputations of her victims,” a useful foil for family-values string-em-up-dead politicians who wanted to show that they were tough on crime–and an unlikely lesbian hero.
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SOURCES:
Barrett-Ibarria, Sofia. “How Serial Killer Aileen Wuornos Became a Cult Hero.” Vice (blog), September 19, 2019.
https://www.vice.com/en_us/article/mbm3j4/how-serial-killer-aileen-wuornos-became-a-cult-hero.
Broomfield, Nick. Aileen Wuornos: The Selling of a Serial Killer. Documentary, Crime. Channel 4 Television Corporation, Lafayette Films, 1994.
Broomfield, Nick, and Joan Churchill. Aileen: Life and Death of a Serial Killer. Documentary, Crime. Lafayette Films, Channel 4 Television Corporation, 2003.
chesler, phyllis. “A Woman’s Right to Self—Defense: The Case of Aileen Carol Wuornos.” Off Our Backs 23, no. 6 (1993): 6–15.
Levina, Marina, and Diem-My T. Bui, eds. Monster Culture in the 21st Century: A Reader. London, UK: Bloomsbury Academic, 2013.
Pearson, Kyra. “The Trouble with Aileen Wuornos, Feminism’s ‘First Serial Killer.’” Communication and Critical/Cultural Studies 4, no. 3 (September 2007): 256–75. https://doi.org/10.1080/14791420701472791.
Vronsky, Peter. Female Serial Killers: How and Why Women Become Monsters. 1st edition. New York, N.Y: Berkley Books, 2007.
Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.
