This month's episode features our chat with novelist and short story writer Amina Cain, the author of the novel
Indelicacy, a
New York Times Editors’ Choice and finalist for the Rathbones Folio Prize and the Center for Fiction’s First Novel Prize, published in 2020 by
Farrar, Straus & Giroux, and two collections of short stories,
Creature and
I Go To Some Hollow. Her latest book,
A Horse at Night: On Writing, came out in October of 2022 with
Dorothy, a publishing project in the US and
Daunt Books in the UK. In 2021, she was longlisted for the Joyce Carol Oates Prize. Her writing has appeared in
Granta,
The Paris Review Daily,
BOMB,
LA Times, Tate Etc. and other places.
Amina has also co-curated literary events, such as When Does It or You Begin?, a month long festival of writing, performance, and video at Links Hall in Chicago; Both Sides and The Center, a summer festival of readings and performances enacting various levels of proximity, intimacy, and distance at the MAK Center/Schindler House in West Hollywood; and the Errata Salon, a talk/lecture series at Betalevel in LA’s Chinatown.
Joining us towards the end of last year, Amina talked to us about writing in between teaching, using reading and looking at paintings/images to open things up, pushing through a false starts, and why she will always return to Marguerite Duras.
You can find out more about Amina and her writing here: https://aminacain.com/
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Find us on Twitter: @UnsoundMethods - @JaimieBatchan - @LochlanBloom
Jaimie's Instagram is: @jaimie_batchan
Or at jaimiebatchan.com and lochlanbloom.com
We have a store page on Bookshop, where you can find our books, as well as those of previous guests: https://uk.bookshop.org/shop/unsoundmethods
Thanks for listening, please like, subscribe and rate Unsound Methods wherever you get your podcasts. Our website is: https://unsoundmethods.co.uk/
