Josephine Decker’s new SHIRLEY attempts to invoke the spirit of Shirley Jackson in suitably discomfiting fashion, which makes Robert Wise’s 1963 Jackson adaptation THE HAUNTING something of a prerequisite for the new film. How does THE HAUNTING stack up against its reputation as one of the scariest films of all time, and what makes it both a paragon and an anomaly of the haunted house genre? Joined by special guest Alison Willmore, we dig into those questions, plus the film’s distinctive visuals, its melange of performance styles, and its place in the broader scheme of Jackson adaptations. Plus, we share some feedback on episodes of the recent and not-so-recent past.
Please share your comments, thoughts, and questions about THE HAUNTING, SHIRLEY, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Outro Music: Gerard Way, “Baby You’re a Haunted House”
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