Why are we so obsessed with the apocalypse? Is it a reaction to the state of the world—climate catastrophe, regional wars threatening global conflict, pandemic scares, and the unsettling rise of AI—or does it run deeper? Is it inherent to the modern world or, perhaps, the human condition? And why are we so captivated by apocalyptic stories in books, films, TV shows, video games, and art—sometimes improbable, sometimes terrifyingly possible?
Dorian Lynskey explores these questions in Everything Must Go. He starts in ancient times, with a detour through the Book of Revelation, before focusing on the 19th century, when humanity began to grasp that scientific advances could both transform and destroy the world. The 20th century brings the bomb, robots, and intelligent machines—the seeds of a potential end. Like the best non-fiction, Lynskey’s focus on a specific subject—armageddon—offers deeper insights into how we view ourselves, interact with others, and perceive our world.
Buy Everything Must Go: https://www.shakespeareandcompany.com/books/everything-must-go-5
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Dorian Lynskey writes about music, film, books and politics for publications including The Guardian, The Observer, the New Statesman, GQ, Billboard, Empire, and Mojo. His first book was 33 Revolutions Per Minute: A History of Protest Songs. A study of thirty-three pivotal songs with a political message, it was NME's Book of the Year and a 'Music Book of the Year' in The Daily Telegraph. His second book, The Ministry of Truth: A Biography of George Orwell's 1984, was longlisted for both the Baillie Gifford Prize and the Orwell Prize. He hosts the podcasts 'Origin Story' and 'Oh God, What Now?'.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
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