To discuss Pier Paolo Pasolini's Salò, or the 120 Days of Sodom, we've assembled a quartette of liberties: Danica Anna Uskert Quinn, Caleb Quinn, Emma Guerard, and Martin Kessler. They cover the film's enduring notoriety, its source material written by Marquis de Sade, its significance in Pasolini's filmography, and its relevance to today. Then they close things off by deciding if it is worthy of the 202nd place on the Sight & Sound list.
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