How can unfilmables help you create those cinematic moments of awe?
In this second part of our series on unfilmables, Chas and Stu continue their deep dive into how writing the “unfilmable” can enhance your script. Rather than looking at micro moments, they turn their gaze to "moments of awe" — those often breathtaking cinematic moments that feel beyond writing. But are those scenes actually unscriptable?
In this episode we look at sequences from YOU WERE NEVER REALLY HERE, SEARCHING FOR BOBBY FISCHER, THE INVITATION, and MOONLIGHT. We talk writing cinematically, performance beats, breaking (and maintaining) “the spell”, limited palettes of language, self-contextualising writing, and "instructables".
Thanks to Chris Walker for editing this episode, and Carissa Lee for performing the big print.
As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.
RUNNING ORDER
WHEN UNFILMABLES DON’T WORK(@ 12:01)
YOU WERE NEVER REALLY HERE(@ 26:08) screenplay by Lynne Ramsay, based on the novella by Jonathan Ames
Please considering rating or subscribing to us on Apple Podcasts! or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter. And you can find @draft_zero on Instagram and Twitter.
Many thanks to all our patrons but particularly to Jesse, Daniel, Devin, Jack, Paul, Chris, Khrob, Sandra, Nick, Rob, Matteo, Daniel and Carrie. They’re good humans.
Podden och tillhörande omslagsbild på den här sidan tillhör Chas Fisher and Stuart Willis. Innehållet i podden är skapat av Chas Fisher and Stuart Willis och inte av, eller tillsammans med, Poddtoppen.
