John Cleese has been making us laugh for more than 50 years. Back in the 1970s, he became a comedy legend in Monty Python and in Fawlty Towers, and he now has a second generation of fans, discovering for themselves his unique combination of surreal humour, verbal pyrotechnics and farce. So much so that even now, as he enters his eighties, John Cleese is recognised in the street all across the world.
With almost six million Twitter followers, his is still a powerful voice, mocking those in power and generally trying to stir things up a bit.
This programme was recorded while John was in Britain for a couple of weeks, over from LA to work on the script for the musical version of A Fish Called Wanda. In conversation with Michael Berkeley, he looks back on his childhood in Weston-super-Mare and the physical awkwardness that made him stand out from an early age – “six feet of chewed string”, as one of his teachers remarked. He remembers his fateful early decision not to be a lawyer but to try comedy instead. And he shares what he’s learned about the strange unconscious process of creativity.
Music choices include Tchaikovsky, Scott Joplin and John Williams, as well as comedy sketches by Peter Cook and Dudley Moore – and John's favourite sketch from his own career, a double-act with Rowan Atkinson, “Beekeeping”.
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