The past few years have seen the figure of the witch become a cultural touchstone for progressives and conservatives alike. From the resurgence of astrology, tarot, and natural healing methods to feminist rallying cry, the witch has never been more inclusive or divisive. Through analysis of two recent films, Andrea and Alex examine the witch’s new meaning in contemporary Western society, and why she remains a symbol of subversive feminism.
The VVitch: A New England Folktale. Dir. Robert Eggers, 2015.
The Autopsy of Jane Doe. Dir. André Øvredal, 2016.
Yes, This Is a Witch Hunt. I’m a Witch and I’m Hunting You. Lindy West’s New York Times Op-Ed on the misappropriation of the term witch-hunt during the rise of the #MeToo movement.
Why the Witch Is the Pop-Culture Heroine We Need Right Now – A look at why the figure of the witch has become so deservedly popular.
Satanic Feminism by Per Faxneld. Faxneld’s book on the Devil as liberator of women in the nineteenth century.
The Book of English Magic – An overview of the real and perceived magic used across the British Isles, with a chapter dedicated to witches and witchcraft.
The Autopsy of Jane Doe post-screening Q & A – Following a showing at the Film Society of Lincoln Center, stars Emile Hirsh, Brian Cox and director André Øvredal talk about the making of The Autopsy of Jane Doe.
Francisco Goya’s Black Paintings.
The Satanic Temple – Activism and critical film appreciation, apparently.
W.I.T.C.H. PDX – The figure of the witch adopted for anonymous activism in Portland. Start a local coven near you!
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