The teenage Trevor Horn could be found playing bass in dance bands on the Top Rank circuit supporting acts like Tommy Cooper (and singing Long-Haired Lover From Liverpool and Hi-Ho Silver Lining). He began writing songs for Tina Charles, had a worldwide hit with Buggles and went on to produce Dollar, ABC, Frankie Goes To Hollywood, Malcolm McLaren, Grace Jones, Pet Shop Boys and countless others. In this terrific exchange he talks about life in covers bands (“big money, £150 a week”), how the Fairlight changed the landscape, the diplomacy all producers require, his “pictorial sense” of how ABC should sound, his regrets about Frankie, bands’ paranoia about their record companies, Rod Stewart and the “farting post”, why he’d like to work with Bob Dylan and the drama of making Owner Of A Lonely Heart. Worth it for his uncanny impersonations of Dylan and Rod Stewart alone, and further stories from his just-out memoir ‘Adventures in Modern Recording: From ABC to ZTT’.
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