Lucia was in charge of public programming at the Serpentine Gallery in London when she launched the General Ecology program. This was not only a program of content as usual, but rather included an in-depth look into the institution’s ecological footprint and thus came with a range of challenging questions around environmental responsibilities.
We discuss with Lucia the intricacies of maneuvering such realms with severe conventions and bureaucracies. An example she gives is the military in Venice, where they installed the infamous art opera sun & sea (Marina) for the 2019 Venice Biennale.
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