In this episode, I’m joined by Patricia Pulham, Professor of Victorian Literature at The University of Surrey, to discuss Vernon Lee’s collection of supernatural tales, Hauntings (1890).
The book collects four of Vernon Lee’s ghost stories, ‘Amour Dure’, ‘Dionea’, ‘Oke of Okehurst’, and ‘A Wicked Voice’, which together represent some of the finest examples of the genre, and reflect Lee’s deep engagement with Italian art, her sensitivity to place, and her imaginative relationship with the vestigial, fragmentary manifestations of history.
Over the course of the programme, we discuss Lee’s preference for a more restrained form of horror, her evocation of the settings in her texts, and take an in-depth look at music in her story, ‘A Wicked Voice’.
Bibliography:
Art and the Transitional Object in Vernon Lee's Supernatural Tales by Patricia Pulham (Ashgate Publishing, 2008)
Vernon Lee: Decadence, Ethics, Aesthetics ed. Patricia Pulham, Catherine Maxwell (Palgrave, 2006)
Vernon Lee: A Literary Biography by Vineta Colby, (University of Virgina Press, 2003).
