Penny Foxley returns to give Martin & Sam some more context and detail for the Black Rider play from 2004. The cacophony of the music (and the evolution of that music), Marianne Faithfull’s tailcoat, and the raw energy of early-2000s girlband pop all feature in today’s discussion... sometimes slightly tangentially?
Music extracts used for illustrative/review purposes include: Gospel Train, The Black Rider, Tom Waits (1993) Overload, One Touch, Sugababes (2000)
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